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Leaf Study by Susan Bronsak

Painting Tips

OK........now let's get down to some painting tips to get you started and that will hopefully help make for a fun and enjoyable painting experience:

Mix more paint than what you think you'll need. It can be a true pain causing unnecessary frustration if not enough is mixed when you need it and it can cause a painting to be ruined by an area drying out before you can get more paint to it.

For large washes, have your color mixes ready before you start to paint.

Porcelain or ceramic surfaces make for a fantastic palette for mixing watercolors.  No staining and very little beading of paint/water, if any.  And it's easy cleaning.  You can find expensive porcelain palettes right down to individual 2" round shallow dishes from most major art suppliers.  But you are not limited to purchasing specialized dishes for painting.  Go to a yard sale and see what you can find.  Any shallow porcelain or ceramic dish will work just fine.

Allow your pigments to mix on paper rather than on the palette.  OK to mingle or slightly mix multiple colors on the palette but allowing your pigments to mix or blend together on paper results in some beautiful variations you can't get when mixed on palette.

Don't fiddle or mess about too much when mixing ....... regardless of where you decide to mix more than one color together (paper or palette).  You will undoubtedly end up with mud or a lifeless color.

Paint oodles of doodles (or cameos as I call them).  They can be relaxing AND fun. 

Keep a scrap piece of paper handy (same type and brand as you're actually going to paint on) to test your pigment wetness, value, color, etc.  This will save you a few unnecessary boo boos on your actual painting surface.

To keep your paint from going wild or causing a back-run / blossom when painting wet in wet, make sure the pigment/water on your brush is a bit dryer than what's on paper.  Dab your brush onto a tissue, if necessary, to get rid of excess moisture.

Collect simple objects like coffee stirring sticks and cut-up credit cards.  Objects like this are great for bruising and scraping techniques.  You don't have to run out and buy anything special.  I do find a double ended stylus to be a big plus in my collection of tools.  I can achieve super fine lines as in leaf and petal veins using the stylus.

Water pot - any container will work but as a suggestion, save your plastic Folgers coffee can.  The larger holds a lot of water saving trips for clean water and has that molded handle for easy grip.  Or keep two of the smaller cans.......one for clean water and one for cleaning your brush.  Keep their lids to cover when not painting to keep your family cat from thinking it's feline kool-aid.

Please Note:  If you have cats, I highly recommend you also cover your palette or paint dishes.  I made the mistake of not doing so and had cat paw prints all over my desk and laptop where she was trying to get at my water.  Thank goodness I didn't have my prized painting-in-progress out to be walked across.

Get to know your tools.  Play with your brushes to see what they can do......what different type marks each are capable of making holding it in various ways.  Play with various collected items like your cut up credit cards and sticks.  These are just two examples.

Study your pigments when mixing to learn how they behave in water and with other pigments.  Some pigments go through a chemical reaction when put together.  One such example is Light Red and French Ultramarine Blue.

Know your pigment characteristics.  Are they staining or do they lift off the paper easily.  Do they granulate (some pigments have natural minerals that separate while drying giving you a granulated appearance.)  Take note if transparent or opaque.

Make and maintain color charts.  This can be fun with the proper attitude and definitely a great resource to have on hand.  This includes pigment charts, value charts, and color wheel charts.

Get a feel for paint consistencies trying out different amounts of water.  Learning to properly use various consistencies at any given time comes with practice, trial and error.

Although you can mix any green with blues and yellows, Sap Green is a nice base color for all your work.  You can add yellows and blues to this color as well.

Keep notes so you can fall back on them to help in remembering what you did with a particular work session or painting passage you really liked.  Keep notes of where you feel you went wrong and possible reasons.

Sponge-on-Stick.  This is something I came up with tearing household sponges into small pieces and using Loew Cornell's SpongIt Sticks to attach it to.  I tore off both foam tips on a double ended SpongIt stick and attached a piece of household sponge to one end.  I used a small knife to make a hole or score into a "wet" sponge.  Using my nails, I picked and pulled off tiny bits of sponge to give it some texturing. 

By cutting into a wet sponge, the stick appears to hold the sponge in place better.  You can always wrap fishing line or wire to hold the sponge in place if you find it moves around or slips off.  Not sure I'd recommend gluing it in place as the glue might not hold up to repeated wetting.

The other end provides a scraping tool - two tools in one.

 

 

Keep checking back occasionally as I hope to continue adding tips that might be of interest.

 

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